Friends, I have some very special records in store for you, and many more in the post on their way.
Recently I was exploring related-artist lists for long-standing favorites Sundae Club and Lemon Jelly on a number of music services. One result had quite an intriguing name, so I gave them a listen.
Public Service Broadcasting is a project of J. Willgoose and Wrigglesworth from London. The association with Jellyheads and fans of Sundae Club is instantly apparent – their music is electronic, but with a uniquely organic (and perhaps an emotive) element that separates it from the countless electro-pop artists of the day.
PSB uses samples from old public information films, archive footage and propaganda material, which fits well in a playlist of Found Sound Orchestra and Future Loop Foundation recordings.
The result, when paired with their minimalist geometric album packaging, is a krautrock-flavored mechanical sort of BBC documentary music, if you can imagine such a thing.
I enjoyed their INFORM • EDUCATE • ENTERTAIN LP, but was most impressed by THE WAR ROOM EP. Just one look at the album jacket and anyone who follows my blog with any frequency will instantly understand why I just had to acquire this glorious disc.
Here is your new desktop wallpaper. You’re welcome.
See if you can detect traces of the metronomic percussion of Neu!’s “Hallo Gallo” in PSB’s music, or a touch of Kraftwerk inspiration in the packaging of INFORM • EDUCATE • ENTERTAIN.
On to other treasures, I had perused the Record Store Day list for April 2014 but no items particularly grabbed me so I sat the holiday out and saved my cash for the seasonal record show that followed.
In the days after the holiday, I stumbled upon a redditor who ran an independent record store in the States offering limited edition RSD items at store-price to those who couldn’t make it that day. He listed an album that had entirely escaped my radar – a condensed and remastered 50-minute distillation of the epic 24-hour “7 Skies H3″ by Flaming Lips.
Available exclusively for RSD, this was most fans’ only opportunity to own a piece of the notorious track, of which 13 copies were produced and sold on a hard drive encapsulated in a real human skull.
The offer was extended to fellow redditors at 11am on the morning of Easter Sunday, and I didn’t hesitate for a single second. To make the situation even more exciting, I discovered that I had just sold a record I had received for free for the exact price of the Flaming Lips album, which chalks up to getting it for free!
I should caution fans who acquire this record, however – The album ships with a download code from Warner Music, but the file is not what it appears to be. There are no options for MP3 quality (or for a FLAC download) – the album automatically downloads a set of files marked as 256 CBR. I was a tad suspicious of Warner Music so I tested the file and it appears to be only a paltry 128kbps MP3.
If anyone can verify this I would love to hear from you, but I was extremely disappointed that this rare recording was essentially presented in the sonic equivalent of a Napster file from 1999.
“I’m telling you… RealPlayer is going to be HUGE.”
Regardless, best to focus on the positive – like that mysterious KLF item from the Lips’ photo above!
I cannot express the level of my excitement in finally hearing this special recording. You may well recall my featuring of Disc 6 and of The KLF Remix Project Part III in earlier entries.
This new disc was to be the ninth in the series of unofficial reworkings of the KLF’s catalog – masterfully engineered and easily one of the finest ambient recordings of the year. Sadly, due to issues beyond the producer’s control, the disc will not be released to the public.
The disc contains a 2014 72-minute epic rework of the original Space LP created 24 years ago, originally as a collaboration between Dr. Alex Paterson and Jimmy Cauty – the original line-up of The Orb.
For those who aren’t familiar with the outstanding KLF: Recovered & Remastered unofficial releases from my past entries, let me bring you up to speed.
1987. British acid house. Drummond. Cauty. The Justified Ancients of Mu Mu. The Timelords. The JAMs. One World Orchestra. 2K. The Stadium House Trilogy. Doctorin’ the Tardis. Anarchism. The White Room. The Illuminatus! Trilogy. Top of the Pops. America: What Time is Love? The Manual. A lost road movie. The K Foundation. Extreme Noise Terror. Why Sheep? Waiting. The Rites of Mu. Chill Out. The birth of Ambient House. Burning a million quid on the Isle of Jura. Abandon all art now. And Space.
There. That about sums it up.
20 years into the silence that followed the K Foundation’s exit from celebrity a man surfaced who set himself to the task of recovering and remastering the KLF’s catalog to fill the void left in Cauty and Drummond’s absence.
The first six releases, catalog #KLF 001 RE – KLF 006 RE were brilliant, and the sixth release, Live From The Lost Continent 2012 presented listeners with a 77-minute stadium-packed concert that never was.
Following this triumph, two more released emerged – KLF MINUS-ONE and KLF MINUS-FOUR, each better than the EP before.
But our hero had one last stupendous project up his sleeve. And in April of 2014, it was complete.
A message from its creator revealed that MINUS-SIX was to be:
“…a 72 minute remodel of the classic SPACE release, sounding like a cross between ‘Silence’ (from Pete Namlook’s legendary Fax +49-69/450464 label), SPACE, and classic ambient drone releases. It’s almost like Trainspotting for KLF fans.”
The original Space LP (1990)
The final piece is a monumental achievement – a new Music for Airports, or perhaps a new Selected Ambient Works Vol II. It effectively unites sparse white-noise drones with all of the familiar elements of the original Space record which made it so memorable. It is brilliantly subtle, while simultaneously making the sounds of simulated space flight an exciting and dramatic experience.
Then came the crushing news – the MINUS SIX project had suddenly been halted, and there were to be no more releases in the series.
I make no exaggeration when I state that, with this loss, the ambient music audience is experiencing its own Nick Drake, or more accurately – its own SugarMan.
At least this dude got his own movie.
Worse yet – because Rodriguez had a nation celebrating his work for generations an ocean away from his quiet daily life, and at least Nick Drake experienced posthumous success – becoming a household name in the years which followed his untimely demise.
But production of MINUS-6 has been cancelled. Quite sadly, the millennium’s ambient and drone audience and the millions of listeners who grew up with the KLF may never hear this record.
Its legend is shroud in mystery. Will KLF fans ever know the engineer’s name? Why the sudden cease just before unveiling his holy grail?
But perhaps it is the legend and the mystery that adds a touch of vitality to the series.
And I still have hope. The K Foundation announced a 23-year moratorium on all projects beginning November 1995. Perhaps, in honor of the 2018 reformation of the KLF, our mysterious friend will emerge.
My sincerest hope is that the man behind these nine fantastic EPs one day receives the recognition (and listenership) that he deserves.
If you’re out there – Bring the beat back.